![]() ![]() “So we’re using these compact Meyer line arrays, little UPQs and UPAs, only eight 1100-LFCs - and we’re just crushing major arenas with them.” “To help the broadcast team we try to avoid showing any loudspeakers in the frame,” he said. This configuration allows Bonneau to tailor a custom stereo mix for each of the four quadrants, with one high-impact mix for UFC executives seated at the Octagon and a boost in vocal clarity for the press section.īonneau is thrilled by the way the system has elevated the experience for fans in attendance despite the limitations of broadcast. In addition, eight UPQ-1P loudspeakers are mounted on the main lighting truss. Eight UPA-1P loudspeakers are mounted to lighting fingers extending out from the signature UFC lighting truss rigged over the Octagon. With a flown array trim height typically at 60 to 80 feet, a separate system is required for the floor seats. “The fans may not be consciously aware of the effect but it intensifies the total experience.” “When a fighter gets picked up and thrown down, it lays your hair back when he hits the mat,” said Bonneau. Also directly underneath the Octagon mat are five Sennheiser 421 microphones that are routed directly to the 1100-LFC elements. Also, I have all the headroom I need to handle walk-in music, which varies greatly from track to track, and I have ample gain before feedback in the post-fight interviews.”įor musical deep bass as well as visceral impact effects, the system also incorporates a total of eight flown 1100-LFC elements along with four 900-LFCs tucked under the Octagon competition platform. ![]() “Now, with the six array configuration we avoid firing at the screens, but the wide horizontal of the Leopards still gives us seamless coverage. “With the old system we used eight arrays, but we would get some slapback from the big video screens hung at the 45 ° positions,” said Bonneau. The entire arena seating bowl is covered by the six-hang exploded centre cluster of Leopard arrays. So it’s click-click-click on three or four carts and you’re done.” The way we package the system, the array boxes are rolling on carts of four, with our side hangs 12 deep and end hangs 16 deep. If points are clear, we’re typically floating off the ground in three hours. “We’re saving over an hour on load-in and at least a half-hour on load out. “It’s unbelievable how much quicker things are going now,” said Bonneau. ![]() The top portion provides storage for the cable looms connected to the three Leopard arrays covering each end of the arena the pod’s side incorporates racks for power distro along with two Luminex AVB network switches and four Galaxy processors and the bottom provides rigging points that support two different configurations for the 1100-LFC low frequency control elements. But as the arrays had to be flown high above the centre scoreboard-mounted video screens, the question arose: where to best place the array processors?īonneau’s solution was to build two custom steel pods, one flown on each side of the centre scoreboard, and each serving three purposes. One key element of his solution was to implement a fibre-optic AVB network for linking FOH to the Galaxy processors for the arrays. Along with power and clarity, Bonneau also sought a system that could go in and out quickly, scale to arenas of any size with seamless coverage, and hang high out of sight-lines for fans and TV cameras. ![]()
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